Here's another Natalie Goldberg writing prompt. These prompts aren't really intended to be shared, per se, so I'm letting it be what it is with little editing or explanation. The direction of this prompt was to fill in the blank and when ideas slowed, to simply write the words I am thinking again and again. The point is to keep putting words and sentences on the page or screen, and on this day in July, I accomplished that. I'm also remaining accountable to myself by posting weekly to this blog. Without further ado.
I'm thinking of how nice it is that I shared a favorite band's concert with my daughter. I'm thinking of how sometimes she talks too much, and I have to remember she's a little girl, and I need to be a net to catch all her words.
I'm thinking about for as much as I want to be touched, it's by an adult I want to be touched. She put her sweet little hand on my back as the band played and I wanted to move away. I am thinking that it was such a nurturing gesture, and I worry about what it does to her to nurture her mother. What I've witnessed of the nurturing of mothers by daughters hasn't always been for the best.
Perhaps my daughter's nurture stems from my own, and that I should be grateful for rather than resistant to, but still what I really want is a man's hand on my lower back feeling his body close as I sway to the music.
I am thinking about how I'd never heard the cello part of their band sound so strong and complement the other parts of the music as well as last night. I am thinking of how Scott seemed of sound mind and when he's in the zone how good the music is. I am thinking of Seth and his tenderness. The tenderness that gets expressed to the fans, but also flows through lyrics and sentiments. Maybe he brings the softness and his brother brings the grit.
I am thinking of the songs I love on albums that I've never seen live. I am thinking about the mirror ball and what sparkle it added to my favorite song, Laundry Room.
I am thinking a lot about how different I feel these days than I did four years ago. It didn't feel like it at the time, but in retrospect I can see how fragile I was. I was stronger then than I'd been in a long while, which only goes to show how much of a whispery shell I had become. Today I am made of steel. I am sturdy and unwavering. I know my mind and I follow my gut. When I am uncertain, I stay still until the certain answer or next right move surfaces. Only then do I act.
This feels like a superpower, this sturdiness. I am so much better able to protect my heart. Protecting my heart and moving in my own self-interest comes naturally now. I feel less needy. I don't feel dependent on others to validate or hold me up. A dear couple's leaving town when they did required me to rely on myself and trust that I didn't need other adults to prop me up. I wouldn't have known that until their absence required it of me. Feeling distant from another friend doesn't feel personal like it might have years ago. She's in a different season of life. I feel like my independence from her is a way to honor her. Like, Look at me, you helped me get to this point! I don't need to rely on you as I once did. I can hear your voice in my head when I need it, and the marvelous thing is that I don't need that kind of support so keenly any more, and when I do, I know how to give it to myself. That is a gift she gave me.
I am thinking of how with time I am able to rebuild a friendship that stands alone, that does not require someone else's interference. It is my sturdiness that makes this possible, and also maturity and has added layers to my thin-skinned nature. I take so few things personally today. I still feel my feelings, but I know they are fleeting and that the other stuff isn't about me, and does not need to be metabolized as such.
I am thinking of how great it is to grow older and wiser. What a privilege that is.
Thursday, November 28, 2019
Thursday, November 21, 2019
Writing Prompt: I am looking at...
In my pursuit to read and clear out a particular pile of books in 2019, I stumbled on a book of writing prompts specifically for the writer who wants to delve into memoir. The book is Old Friend from Far Away by Natalie Goldberg. She is the author of Writing Down the Bones, a seminal how-to for writers.
Anyhoo...
A few years back I tried to work my way through the prompts, but just didn't have the discipline and the stamina for the truth-telling that this book of prompts encourages. But on this go-round, well, honestly, I'm a better writer, a more confident woman approaching this craft. The following is another stream of consciousness piece I mined from my Page-a-Day 2019 archive. I've done a bit of editing, but not too much.
I am looking at a room that is my haven. Once filled with disappointment, sadness, and impotent possibilities for partnership, this room now brings comfort and joy and quiet. I am looking at a wall with a menagerie of memories. A plate that once hung on my grandma's bathroom wall, that with its muted colors and pastoral scene conjures her home for me visually and viscerally. I am looking at the paper tree surrounded by memories written in my early-20s handwriting—a gift I gave her as a celebration of what she'd meant to me through my life. A Christmas gift from a college student on a budget. I am looking at the magnetic board that used to hang in my teenage room in my parents' house. It displays magnets and wisps of paper that urge me on this creative journey.
Taped to a frame that covers the matted photos of two separate trips to Europe is a torn out magazine page with a tiny cabin and an awning covering the only window to the left of its door. I look at this and envision a future writing space. And I know that even if I don't get it in real life that looking at it as I write and even when I don't write, creates space in me. Creates the adventurous spirit I need to pursue this craft-love of mine. For the sake of the pursuit, with no attachment to a particular outcome.
I am looking at the race bibs hanging on my wall. A reminder that I have done hard things physically and not only survived, but thrived. I don't need to look at anything other than my flat belly with milk white stretch marks to remember my most physical, demanding feat: growing and giving birth to my daughter.
I am looking at the baskets on my floor. My handiwork as a high-schooler who took up basket weaving at a sports camp. Those baskets now hold some of my most treasured possessions: letters from friends and family through the years. The letters I prize the most are in a box on the top of a dresser I bought to conjure the woman who wrote those letters. The same woman who owned the plate in the bathroom and put her hands to her mouth when she was surprised and delighted, like when I gave her that homemade gift of memories.
Anyhoo...
A few years back I tried to work my way through the prompts, but just didn't have the discipline and the stamina for the truth-telling that this book of prompts encourages. But on this go-round, well, honestly, I'm a better writer, a more confident woman approaching this craft. The following is another stream of consciousness piece I mined from my Page-a-Day 2019 archive. I've done a bit of editing, but not too much.
I am looking at a room that is my haven. Once filled with disappointment, sadness, and impotent possibilities for partnership, this room now brings comfort and joy and quiet. I am looking at a wall with a menagerie of memories. A plate that once hung on my grandma's bathroom wall, that with its muted colors and pastoral scene conjures her home for me visually and viscerally. I am looking at the paper tree surrounded by memories written in my early-20s handwriting—a gift I gave her as a celebration of what she'd meant to me through my life. A Christmas gift from a college student on a budget. I am looking at the magnetic board that used to hang in my teenage room in my parents' house. It displays magnets and wisps of paper that urge me on this creative journey.
Taped to a frame that covers the matted photos of two separate trips to Europe is a torn out magazine page with a tiny cabin and an awning covering the only window to the left of its door. I look at this and envision a future writing space. And I know that even if I don't get it in real life that looking at it as I write and even when I don't write, creates space in me. Creates the adventurous spirit I need to pursue this craft-love of mine. For the sake of the pursuit, with no attachment to a particular outcome.
I am looking at the race bibs hanging on my wall. A reminder that I have done hard things physically and not only survived, but thrived. I don't need to look at anything other than my flat belly with milk white stretch marks to remember my most physical, demanding feat: growing and giving birth to my daughter.
I am looking at the baskets on my floor. My handiwork as a high-schooler who took up basket weaving at a sports camp. Those baskets now hold some of my most treasured possessions: letters from friends and family through the years. The letters I prize the most are in a box on the top of a dresser I bought to conjure the woman who wrote those letters. The same woman who owned the plate in the bathroom and put her hands to her mouth when she was surprised and delighted, like when I gave her that homemade gift of memories.
I am looking at every item in this room knowing how I have carefully curated it. I have been the Director of Important Items in this museum of my life. Everything I look at has a story. And if it doesn't, it does not stay around for very long.
The longer I look at all these things the longer I know that I can also let them go if and when the time comes. Like if moving to abroad gets to be more than a dream, or if a tornado blew through this town. What I appreciate about having curated these things so definitively and early in my life is that they are not crowded out by things that do not matter. My eyes do not have to search for long to rest on something I love or for a story that these items tell.
This room brings me peace where it used to bring angst or resentment. It hosts sabbath, love, desire. It makes me feel whole where I used to feel halved and then quartered. It tells me that I could live in a tiny home and not feel diminished.
I am looking at the Pottery Barn quilt that rested on my daughter's big-girl bed when her daddy took her out of her crib and she wouldn't go back in. It rests on my bed now.
The longer I look at all these things the longer I know that I can also let them go if and when the time comes. Like if moving to abroad gets to be more than a dream, or if a tornado blew through this town. What I appreciate about having curated these things so definitively and early in my life is that they are not crowded out by things that do not matter. My eyes do not have to search for long to rest on something I love or for a story that these items tell.
This room brings me peace where it used to bring angst or resentment. It hosts sabbath, love, desire. It makes me feel whole where I used to feel halved and then quartered. It tells me that I could live in a tiny home and not feel diminished.
I am looking at the Pottery Barn quilt that rested on my daughter's big-girl bed when her daddy took her out of her crib and she wouldn't go back in. It rests on my bed now.
An item's story can change too. I'm looking at the truth of that.
I am looking at the ceiling fan working at its highest speed. Employed so that the air conditioning can take a break and therefore give my wallet a break. The ceiling fan that delighted my infant better than any mobile toy dangled above her face.
My heart sees that baby's smile and it melts me still. All these years later.
My heart sees that baby's smile and it melts me still. All these years later.
Thursday, November 14, 2019
Security vs. Adventure
For
a few days of my daily writing practice, I found a quote and reacted
to it. Here's a sample.
“In
exchange for the promise of security, many people put a barrier
between themselves and the adventures in consciousness that could put
a whole new light on their personal lives.” - June Singer
This quote perfectly describes the person
I used to be. Feeling secure was so important. Probably because in an
emotional sense, I rarely felt secure. The 40/40 list cracked this
mindset wide open. (Imagine it. The insights and epiphanies that
resulted from that list four years ago are still showing up and
reverberating in my life!)
I didn't feel secure on the trapeze or on
ice skates, but through that year-long celebration of trying new
things and taking risks, I built a core of inner strength that I
could rely on in those moments. I was able to question my comfort
zones and risk something new. Each time I did, I found that I was
capable. I could trust that I could care for myself and meet my own
needs.
On the trapeze, I was very clear about my
limitations, and I didn't push myself past what felt reasonably safe.
On the first attempt off the platform, I landed on my neck wrong. I
felt an odd sensation that I knew I needed to pay attention to. The
whole experience was outside my comfort zone, so saying no to an
advanced routine felt like the right thing. That experience was so
physically taxing, and I was in the best shape of my life. I can't
imagine if I'd tried to do the trapeze earlier in the year!
Historically, I have indeed put so many
barriers between myself and adventure. The 40/40 list helped me ask
the question, “What would it hurt if I tried this?” It turns out,
most of the time it didn't hurt. The experiences showed me what I was
actually made of—resilience, courage, and persistence.
Those months crossing off items on the
list were a training ground for learning that security in most cases
is an illusion. I have become more comfortable out of my comfort
zone. Like on the Sunday morning when I realized I had a low tire and
was giving the sermon at church that morning. I *kinda* needed to be
there. I barely registered fear or frustration regarding the
inconvenient timing. I knew what needed to be done, and I proceeded.
I knew I could ask for help, and when I did, I got more help than I
needed.
Later, the mechanic called to confirm the
tire needed to be replaced, and I'd have to add another $85 to the
credit card—something that was all too familiar in recent years. I
simply expressed gratitude that I hadn't ignored the problem or
wished it away and that I had a credit card that could fill in the
gap where there wasn't cash to meet the need.
Now sensing adventure and staying
open-hearted in the midst of frustration or fear, I am more relaxed
and capable of what needs to happen. I am holding on to everything
with such a lighter grasp and the universe is rewarding me.
Thursday, November 7, 2019
Memory mining at the bottom of a drawer
When I began 2019 with a renewed daily writing practice, I didn't have a particular outcome in mind. I simply wanted to show up to write every day. The daily practice has ebbed and flowed this year, but I feel good about what has come forth. The next few months will be chaotic at best, so to ease the stress of posting a blog per week, I'm working ahead. I've re-read through the 72 pages of writing I have amassed this year, and am mining a few pieces as stand alone essays to post when my schedule or energy levels don't allow something brand new. Today's piece was my daily writing on January 21.
Mighty Girl and I watched our first episode of the new Tidying Up with Marie Kondo, a reality show on Netflix that highlights the Japanese woman's approach to decluttering and sparking joy in one's life. I liked that she comes into the home, talks to homeowners about her approach, and offers them a vision for how to process through the mess without doing the work for them. Unlike most other shows, there is not a team who swoops in, cleans it up, and reveals the Tada! moment. This show documents the family doing the work, and I am convinced this show has the building blocks of making lasting change because the people have to do the hard work of digging themselves out of the mess of stuff they made. In both episodes I've watched, the couples say something to the effect of, I don't want to live the way I did anymore. I'm not going to make these same mistakes and messes again.
After the first episode, I was inspired to tackle one of the drawers in my kitchen that is often hard to open because it's holding too many things. I was pretty sure that I had a few things in there that I am not using and could let go of. In true KonMari style, I emptied out the entire drawer and started sifting through it. A few things went straight in the trash, and then I started a pile of other things I was sure I could let go of.
I also removed the organizers, washed them, and washed out the crumbs in the drawer. I have two ice cream scoops. We don't eat enough ice cream to necessitate two scoops. As I stood at the sink and washed the organizers I had a flash of dejà vu. I thought back to the early days of living in this house as a young newlywed and homeowner. I would come home, turn on the TV and watch reality shows on BBCAmerica. I remember how bright the living room looked at that time of day when the sun poured in the front windows. They had not yet been covered with a film to block the sun because the tree in the front yard hadn't yet been struck by lightning. I used to scoop strawberry ice cream onto a cone with the older of the two ice cream scoops now on my kitchen island waiting to be decluttered.
This memory was almost visceral. It's been so long since I've thought of that time of life. I had a momentary sense of grief. Such a long time ago, and so much pain had yet to occur. I was no longer living in an apartment. I was married and in a house. Ticking my way through a list that connoted adulthood.
The early pains of my particular marriage hadn't registered as the problem it already was or how difficult it was to become. I still lived in the hopes that these things were changeable. That I had not actually made a major mistake. It was remarkable that all of this memory and emotion could be ushered in by simply deciding to declutter a drawer in my kitchen.
I am living proof why this exercise can be so difficult for people. I have had a lot of practice, so I'm undaunted by the memory resurfacing. I am grateful for it. Those strawberry ice cream cones and watching BBC America alone after work are happy memories for me. They felt indulgent and self-caring in a way that was still very new and foreign to me. They were the stepping stones of what I would need a whole lot more of in the years to come.
I feel grateful that my mess is contained in a drawer here and there, not in a pile of clothes stacked higher than I am tall in my spare bedroom as was the case for one couple on the show. I am grateful that some memories surfacing no longer shut me down or impede my progress. I am grateful for the opportunity to test the waters of minimalism and know that for me, it is the best way to live. Lighter, unencumbered with arms and heart and head wide open to experience the world without having to gather the stuff along with it. When something new comes in, I find it so helpful to look for something to let go of as a natural part of the stuff equation.
Mighty Girl and I watched our first episode of the new Tidying Up with Marie Kondo, a reality show on Netflix that highlights the Japanese woman's approach to decluttering and sparking joy in one's life. I liked that she comes into the home, talks to homeowners about her approach, and offers them a vision for how to process through the mess without doing the work for them. Unlike most other shows, there is not a team who swoops in, cleans it up, and reveals the Tada! moment. This show documents the family doing the work, and I am convinced this show has the building blocks of making lasting change because the people have to do the hard work of digging themselves out of the mess of stuff they made. In both episodes I've watched, the couples say something to the effect of, I don't want to live the way I did anymore. I'm not going to make these same mistakes and messes again.
After the first episode, I was inspired to tackle one of the drawers in my kitchen that is often hard to open because it's holding too many things. I was pretty sure that I had a few things in there that I am not using and could let go of. In true KonMari style, I emptied out the entire drawer and started sifting through it. A few things went straight in the trash, and then I started a pile of other things I was sure I could let go of.
I also removed the organizers, washed them, and washed out the crumbs in the drawer. I have two ice cream scoops. We don't eat enough ice cream to necessitate two scoops. As I stood at the sink and washed the organizers I had a flash of dejà vu. I thought back to the early days of living in this house as a young newlywed and homeowner. I would come home, turn on the TV and watch reality shows on BBCAmerica. I remember how bright the living room looked at that time of day when the sun poured in the front windows. They had not yet been covered with a film to block the sun because the tree in the front yard hadn't yet been struck by lightning. I used to scoop strawberry ice cream onto a cone with the older of the two ice cream scoops now on my kitchen island waiting to be decluttered.
This memory was almost visceral. It's been so long since I've thought of that time of life. I had a momentary sense of grief. Such a long time ago, and so much pain had yet to occur. I was no longer living in an apartment. I was married and in a house. Ticking my way through a list that connoted adulthood.
The early pains of my particular marriage hadn't registered as the problem it already was or how difficult it was to become. I still lived in the hopes that these things were changeable. That I had not actually made a major mistake. It was remarkable that all of this memory and emotion could be ushered in by simply deciding to declutter a drawer in my kitchen.
I am living proof why this exercise can be so difficult for people. I have had a lot of practice, so I'm undaunted by the memory resurfacing. I am grateful for it. Those strawberry ice cream cones and watching BBC America alone after work are happy memories for me. They felt indulgent and self-caring in a way that was still very new and foreign to me. They were the stepping stones of what I would need a whole lot more of in the years to come.
I feel grateful that my mess is contained in a drawer here and there, not in a pile of clothes stacked higher than I am tall in my spare bedroom as was the case for one couple on the show. I am grateful that some memories surfacing no longer shut me down or impede my progress. I am grateful for the opportunity to test the waters of minimalism and know that for me, it is the best way to live. Lighter, unencumbered with arms and heart and head wide open to experience the world without having to gather the stuff along with it. When something new comes in, I find it so helpful to look for something to let go of as a natural part of the stuff equation.
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